Queen Elizabeth II was often portrayed as a purely ceremonial sovereign whose personal views had little impact on government decision-making. But as Anne Twomey observed in 2012, we know remarkably little about how the Queen actually exercised her duties since most of the relevant material remains inaccessible. The glimpses that have emerged suggest that the conventional image may be too simplistic. A 1975 Home Office file about a proposal to grant the title of ‘royal’ to the Leeds International Pianoforte Competition (now known as the Leeds International Piano Competition) shows the Queen rejecting the Home Secretary’s advice and Roy Jenkins opting for acquiescence rather than confrontation.
- Enter the Leeds International Pianoforte Competition
- The Home Office deliberates
- The Queen’s rebuff
- The Home Secretary backs down
- Other examples of royal pushback
- Rethinking the figurehead narrative
Enter the Leeds International Pianoforte Competition
On April 28, 1975, Lord Boyle of Handsworth wrote to Jenkins to ask how the Leeds International Pianoforte Competition might obtain the title of ‘royal.’ Founded in 1961 by the Countess of Harewood, Fanny Waterman, and Roslyn Lyons, it was intended to reward talented young pianists from across the globe with monetary prizes, medals, and diplomas. Its Committee of Honor included numerous well-known musicians such as Leonard Bernstein, Benjamin Britten, and Sir Arthur Bliss (Master of the Queen’s Music). In 1975, Lord Boyle was Chairman of Jury that evaluated the performances.
In his letter to Jenkins, Lord Boyle argued that Leeds was “one of the truly significant international music competitions” with prizes that “really do make a great deal of difference, both from the point of view of engagements and recording-contracts.[1]”
Home Office officials prepared a reply from Jenkins that stressed that there was no formal application process. However, the Home Office preferred to be approached informally “since we are always most anxious that there should be no appearance of a rebuff should it prove impossible to grant an application under the very strict criteria that apply.[2]” The letter stressed that Jenkins would ultimately be responsible for advising the Queen on the matter.
After the Competition submitted more information to the Home Office, officials asked the Department of Education and Science (DES) for its opinion regarding the Competition.[3] The latter’s response characterized the Competition as “an olympic-type event largely dominated by highly trained competitive foreign ‘teams.’ The music world is not altogether happy about these highly competitive and narrowly based events where the winner is not necessarily the best musician.[4]” Consequently, the DES could not support the Competition’s application.
The Home Office deliberates
When Home Office officials prepared a submission for Jenkins in September, they recommended that the title of ‘royal’ should not be granted. In a cover letter to Jenkins’ Private Secretary, Kenneth Witney of the Home Office emphasized the opposition of the DES.[5]
However, Jenkins pushed back against the Home Office’s recommendation. As his Private Secretary explained to Witney, Jenkins believed that the Competition was generally held in high esteem. Moreover, he understood that Leeds was one of the top piano competitions in the world. “[S]ince the final responsibility for advice rests with him, he is minded to advise The Queen that the title ‘Royal’ should be conferred.[6]” Witney wrote to the DES on October 1 to inform them of Jenkins’ decision and solicit further feedback.[7]
The DES evidently had a change of heart. Although DES official G. J. Spence noted that the music world had mixed views of the Competition,[8] he also observed that it played a significant role in international cultural relations.[9] He also called attention to the fact that the Competition represented “a notable example of provincial enterprise at a time when there is much criticism that far too much artistic patronage and publicity goes to London.[10]” Ultimately, the DES concluded that the international and provincial considerations outweighed the others.
The DES’ about-face seems to have disquieted Witney. He noted that Spence’s letter mentioned the Aldeburgh Festival and the Three Choirs Festival, which left him “a little shaken.[11]” If either of them were to subsequently apply for the title of ‘royal,’ “I do not believe that the title could be denied them, on the precedent we are about to set.”
Nevertheless, Witney presented Jenkins with a revised submission on October 21 which recommended that the matter should be submitted to the Queen with a recommendation that the Competition be granted permission to be called “The Royal Leeds International Pianoforte Competition.[12]” Jenkins duly initialed his approval the following day.
The Queen’s rebuff
The Home Office prepared a formal submission to the Queen and sent it over to the Palace. However, on October 24, the Queen’s Assistant Private Secretary, William Heseltine, wrote to Witney in the following terms:
Dear Kenneth,
The Queen was not enthusiastic about agreeing to the submission that the Leeds Piano [sic] Competition should be granted the title “Royal”. She has no doubts about the status of the Leeds competition, but was not convinced that it was appropriate for a competition as such, or indeed an event like the Aldeburgh Festival, to be granted this particular form of recognition. The Queen would be grateful if the Home Secretary would very kindly have another look at this.
Yours ever
Bill Heseltine[13]
A note in the file states that the Palace returned Jenkins’ submission at this time.[14] The fact that it’s described as a ‘submission’ is noteworthy since that term is generally associated with ministers’ formal advice. In practice, there is a distinction between formal and informal advice.[15] This can allow the Palace and the Government to iron out differences while remaining within the bounds of constitutional propriety. Unfortunately, Heseltine’s letter is the only piece of correspondence between the Home Office and the Palace in the file. However, there’s no evidence that informal advice was tendered in this case.[16]
The Home Secretary backs down
Initially, the Home Office sought to convince the Queen to change her mind, and officials prepared a list of relevant precedents.[17] In a letter to Jenkins’ Private Secretary, Witney noted that, although the Queen questioned whether it was appropriate to grant the title of ‘royal’ to a competition, she had conferred that honor upon the Royal International Horse Show and the Royal National Eisteddfod of Wales.[18]
Witney suggested that Jenkins should discuss the matter with the Queen’s Private Secretary, Sir Martin Charteris. Although Jenkins did briefly discuss the matter with Sir Martin, he ultimately chose to back down. He concluded that, while the Queen would ultimately accept his advice, “in view of the question she has raised he does not think it would be right to press the matter.[19]” His reversal is striking given that he’d pressed his officials to revisit their initial recommendation that the title be withheld. Unfortunately, the file does not provide an explanation for his change of heart. It also doesn’t reveal if Sir Martin (or anyone else from the Palace) advanced any other arguments against the grant.
The Queen’s intervention was subsequently glossed over, presumably to avoid drawing the Crown into controversy. Writing to Lord Boyle, Jenkins portrayed the decision to deny the Competition’s request as his.[20] Witney adopted a similar line in his own letter to one of the Competition’s organizers.[21] In constitutional terms, the Home Secretary was effectively assuming responsibility for the Queen’s decision. This discretion didn’t just extend to public-facing communications. When Witney notified DES that the title wouldn’t be granted, he didn’t mention that the Queen had declined to accept the Home Secretary’s advice.[22] That decision proved final. To this day, the Competition has never received the title ‘royal.’
What’s striking about this episode is the lack of friction. The Queen’s rebuff doesn’t seem to have caused much perturbation in the Home Office. Instead, officials responded pragmatically. The low-stakes nature of the matter likely shaped their response. After all, the grant of the title to the Competition was not a key plank of Labour Party policy. From a practical standpoint, one can see why Jenkins might have concluded that it was ultimately adiaphora. Since many documents from the Queen’s reign aren’t publicly available, it’s not clear if this kind of pushback was commonplace. But the evidence we do have suggests this wasn’t an isolated incident.
Other examples of royal pushback
When Tony Benn was Postmaster-General, he tried to remove the Queen’s head from Britain’s commemorative stamps. While Benn believed that he’d secured her agreement, he received a rude awakening when No. 10 ultimately instructed him not to commission any stamps without the Queen’s head.[23] Moreover, he was explicitly told that she could reject ministerial advice in certain circumstances.[24] According to Benn, Harold Wilson subsequently told him “[The Queen is] a nice woman, and you absolutely charmed her into saying yes when she didn’t really mean it. I don’t think you ought to go back and argue it out with her again because I’m sure you would win and she really wouldn’t be happy.[25]” With that, Benn had to admit defeat.[26]
Anne Twomey has also shown that the Queen resisted efforts to remove British ministers from the process of appointing Australian state governors because she was reluctant to accept advice from state premiers. While she ultimately yielded, the Australian government took her opposition seriously and took steps to address her concerns.[27]
Interestingly, Twomey’s research also reveals that Australian officialdom viewed the prospect of the Queen rejecting ministerial advice as something to be avoided because it might cause her ‘embarrassment.[28]’ There is likely a similar feeling in Whitehall which could help explain both Jenkins’ volte-face and Harold Wilson’s decision to side with the Queen rather than Benn.
One recurring theme in all of these episodes is that they all affected the Queen personally to some degree. The presence of the Monarch’s head on Britain’s stamps was a matter of longstanding tradition. Allowing Australian state premiers to advise the Queen directly could have dragged her into conflicts between state governments and the Commonwealth government. And the title of ‘royal’ was a mark of the Sovereign’s favor. While we cannot draw firm conclusions based on such a small range of sources, it seems plausible that the Queen might have been more willing to rebuff her ministers when it impacted her personally.
Of course, the examples are difficult to reconcile with the orthodox understanding of the British constitution. As far back as Walter Bagehot, the dominant view has been that the Monarch is generally expected to act on the advice of their ministers. Conventional wisdom also holds that there would be dire consequences if the Monarch rejected that advice. For example, Sir Vernon Bogdanor wrote that “[t]he consequence of rejecting advice would normally be the resignation of the government.[29]”
At the same time, the Monarch also has what Bagehot described as the right to be consulted, the right to encourage, and the right to warn.[30] In practice, this means the Sovereign is not obliged to unquestioningly approve whatever their ministers place in front of them. A cynic might dismiss these powers as little more than social niceties, but the Queen’s intervention in the case of the Competition suggest that a royal warning can cause minister to change course.
There are a few areas where the Monarch can act without ministerial advice. The standard list of these personal prerogatives is quite short and includes the appointment of the Prime Minister, the dissolution of Parliament, and appointments to the Order of the Garter, the Order of the Thistle, the Order of Merit, and the Royal Victorian Order.[31] The power to grant the title of ‘royal’ is not generally recognized as one of the personal prerogatives. But the fact that Jenkins backed down in the face of the Queen’s opposition suggests there may be areas where advice is formally tendered but ministers are perfectly willing to yield in the face of royal objections. If this is the case, it’s fair to ask if these matters should also be classified as personal prerogatives.
The events documented in this file provide a tantalizing glimpse of the complex reality of Britain’s constitutional monarchy. While we can’t say how representative it is, it does suggest that the familiar image of Queen Elizabeth II as a passive figurehead likely requires qualification, and the list of personal prerogatives may be broader than currently believed. Only time, and the release of additional material from her long reign, will allow us to see the full picture.
[1] Boyle to Jenkins, April 28, 1975, HO 290/149/56.
[2] Jenkins to Boyle, May 9, 1975, HO 290/149/52.
[3] Bone to Chapman, June 26, 1975, HO 290/149/45.
[4] Chapman to Bone, July 23, 1975, HO 290/149/44.
[5] Witney to Innes, September 11, 1975, HO 290/149/40.
[6] Innes to Witney, September 16, 1975, HO 290/149/38-39.
[7] Witney to Lloyd-Jones, October 1, 1975, HO 290/149/33-34.
[8] “[O]ne can detect a quite understandable lack of enthusiasm from the corps d’orchestre for the encouragement of the international virtuosi who scoop so much of the publicity, and the monetary rewards, of the arts world.” Spence to Witney, October 14, 1975, HO 290/149/32.
[9] The Foreign and Commonwealth Office indicated that they agreed with this assessment, though they seemed surprised that the Home Office would take this into consideration. Morgan to Witney, October 15, 1975, HO 290/149/29.
[10] Ibid.
[11] Witney to Harrison, October 14, 1975, HO 290/149/31.
[12] Witney to Jenkins, October 21, 1975, HO 290/149/19-20.
[13] Heseltine to Witney, October 24, 1975, HO 290/149/18.
[14] HO 290/149/5.
[15] Informal advice often takes the form of a standard letter from the Minister’s Private Secretary to the Monarch’s Private Secretary. Formal advice, on the other hand, is a direct communication from the Minister to the Monarch, and at least at Westminster it’s written in the third person and includes unique stylistic elements such as a reference to the Minister’s “humble duty.”
[16] The absence of informal advice is curious. The practice doesn’t seem to be universal, though. Perhaps the Home Office believed it was routine enough that informal consultation wasn’t necessary.
[17] HO 290/149/15-17.
[18] Witney to Phillips, October 30, 1975, HO 290/149/12. Although the Eisteddfod had been granted the title annually starting in 1931, the Queen made the grant permanent in 1966.
[19] Phillips to Witney, November 3, 1975, HO 290/149/11.
[20] Jenkins to Boyle, November 24, 1975, HO 290/149/10.
[21] Witney to Waterman, November 24, 1975, HO 290/149/8.
[22] Witney to Spence, November 24, 1975, HO 290/149/9.
[23] Tony Benn, Out of the Wilderness: Diaries 1963-67 (Hutchinson, 1987), 339.
[24] Benn, 335.
[25] Benn, 343.
[26] While Benn wasn’t able to remove the Queen’s head from commemorative stamps entirely, he was able to reduce it to a small silhouette.
[27] Anne Twomey, The Chameleon Crown: The Queen and Her Australian Governors (The Federation Press, 2006), 237-256.
[28] See, for example Twomey, 219.
[29] Vernon Bogdanor, The Monarchy and the Constitution (Clarendon Press, 1995), 66.
[30] Walter Bagehot, The English Constitution (Chapman and Hall, 1867), 103.
[31] The first two are largely theoretical at this point.